Jenny Whiteley Biography

Once called “Alison Krauss in a leather jacket”...

Jenny Whiteley has won two Juno Awards and has been nominated four times as a solo artist and as a member of Heartbreak Hill and The Junior Jug Band family band. She has a Socan number one award for her song Baby, I as performed by Amy Millan, a gold record for her family band's recording and has toured all over Canada, the U.S. And Europe.

Jenny has written songs with Colin Linden, Fred Eaglesmith and Joey Wright to name a few. She has performed at almost every major music festival in the country including Edmonton Folk Festival, Winnipeg Folk Festival, Vancouver Folk Festival, Mariposa, Stan Rogers Fest, Stardust Picnic and many more.

Jenny has showcased at South By South West, the Americana Music Awards, Folk Alliance, North by North East and other prestigious industry events.

CMT Canada has produced two of Jenny's videos: '75 and The Burning of Atlanta. Jenny was featured as a live performer on CMT America in Nashville, TN in 2004. Jenny was featured in Prairie Oyster's Man In The Moon video and on the recording.

Jenny plans to release a new recording in 2015 (maybe two)...


History

Born in Toronto to a musical family, Jenny grew up playing music with her dad, uncle and brother in a jug band. The album the four made together, one of three under the name The Junior Jug Band was nominated for a Juno award in 1986.

After a brief brush with academia, Jenny returned to Toronto from Montreal, and soon after discovered bluegrass music in earnest.

Joining her brother Dan on a trip to North Carolina to attend the burgeoning Merle Watson festival, Jenny fell in love with the genre, citing the evening performance of the Del McCoury Band as a particular jaw dropper.

Upon returning to Toronto, Jenny started singing bluegrass music and even writing some songs in that idiom. Out of these early experiments came the formation of the band Heartbreak Hill. The band consisted of Jenny on the bass, brother Dan Whiteley on mandolin, Chris Quinn on banjo and Dottie Cormier on guitar.

The quartet was in demand. They took over a weekly show that Dan was already involved in at The Silver Dollar Room on Spadina, and called it High Lonesome Wednesdays. It quickly became the mecca for all things bluegrass and twangy in the city. Many cite those Wednesdays and the band as the harbingers of the renaissance of roots music in Toronto in the 1990's.

In 1998 Heartbreak Hill released it's only recording, and was rewarded with a Juno nomination for Roots Traditional Recording of the year. The band also made the cover of Now Magazine that year, as well as performing at most of the major folk festivals in the country.

In 2000, Jenny struck out on her own recording and producing her eponymous album featuring ten original songs. It was extremely well received and reviewed, and ultimately won Jenny a Juno award for Roots recording of the year.

Three years of touring and festivals followed. In 2003 Jenny released her second solo record. Less bluegrass and more folk, this record titled “Hopetown” also won a Juno for Roots recording. Winning a Juno or her first and second records is a feat very few artists have acheived.

“Hopetown is evidence enough that Whiteleys' an expansive roots music talent, able to stand with the best of the American No Depression set. There's not a loser in the bunch on this album...”
- All Music

Jenny continued writing and touring, releasing Dear in 2006:

“Dear is the eagerly awaited follow-up to Jenny Whiteley's Juno Award winning and internationally acclaimed 2004 album Hopetown. Just like Hopetown picked up where Jenny's Juno Award winning, self titled debut left off, Dear takes us further down the road of one of Canada's best songwriters...Opening with the heart breaking Indoor Lightning and ending with the equally heartbreaking When It Rains I Pour, Dear is 12 songs strong.”
- CD Baby

and Forgive Or Forget in 2009:

“Dawson and Whiteley have imbued Forgive or Forget with tones and nuances that sit with the halcyon period when Brian Wilson, John Lennon, Paul McCartney, Bob Dylan, the Band, and others were all trying to outshine one another without blowing the barn doors off. Very often, all it takes is a slight shading shift to make all the difference in the world.”
- FAME Review

Jenny was the artistic director of the Elphin Roots Festival from 2007 to 2012. She currently programmes the Old School Concert Series in Milford, Ontario.